Guess which poets listed (or possibly omitted) in the below dream anthology belongs in the blanks.
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_______ and I walk around my kitchen. We're talking about using sensation, both pleasure and pain, to control animals. I say that I've seen zookeepers be nice to animals. _______ says all the zookeepers he/she's seen have been nice. I know that not all of them are nice, some can be very cruel. I tell him/her about the camels outside my house being controlled with a knife. We walk to a concert and see the camels. We go up to them and join their circle by sitting down. The camels recognize us. The performance starts.
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I'm on a mission with _______ and other poets. We're running across an outdoor, dusty space, trying to get somewhere. We have to set off a series of events so some necessary explosions can go off. Were trying to blow up some basilisks. Some of us die doing this.
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I'm a Project Runway contestant. Betsy Johnson is the judge. During the competition she doesn't like any of my ideas. _______ tells me that she's heard a very negative story about who I was in 9th grade. Back then I was a bad and unsafe school bus driver. In 10th grade it was decided that I was completely unworthy of the honor and wasn't invited back. I try to address this issue with Betsy. I point out that in 9th grade I was only 14 years old and not old enough to drive a school bus. Then I remember some advice that the person who'll likely win this challenge is the one who's low key and doesn't get on Betsy's radar. I'm clearly on Betsy's radar. This is not good. I start tearing up pieces of my dress before the judging even starts. They're going to hold this against me. A woman tells me that they're making plans to cut me. I can't really argue with this. I know it's my time to go.
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I'm in _______ 's gender studies class. I'm supposed to write 2 papers about Blue _____.
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I'm meeting with _______. _______ has accepted my unwritten book, Oranges and Oranges, for publication at his/her press. We're having a conference call with the cover designer. I suggest that we do a Sci-Fi inspired covered, one that takes the original style of sci-fi books, but twists it around and makes something new from it. The designer doesn't want to hear any of it. She isn't even considering what I'm saying. She says, "oh, you want some beefcake on the cover" -- and I say "no, I want a woman on the cover!" But I'm at a loss and can't say much about the book because I haven't written it yet.
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